The film, titled Go Quiet, is billed on his website by director Dean Deblois (Director of the Acclaimed Sigur Ros documentary, Heima) thusly: “The concept behind ‘go quiet’ was simple: it’s New Year’s Day in Reykjavík, and Jónsi awakens to a trashed house in the wake of his party. he avoids cleaning up and instead procrastinates by playing songs that reflect the night before, the bittersweetness of new year, and the melancholy of a year gone by”

This full length DVD will be released alongside the album as a part of various special edition packages.

Check out the trailer, it is pretty epic:

-Doug Ray

Doug Ray is the co-host of Saltimbocca and Escargot, Sundays 8-10 PM on WRBC.

With the impending end of the first decade of the century looming in the distance, all one can do is take a look back at the last 10 years in music and create another list, this one ranking the best 30 albums of the last decade (With a sentence of explanation for each).

1. The Arcade Fire – Funeral

This album made baroque pop cool again, something that seemed unachievable after the Beach Boys fell apart.

2. Ryan Adams – Gold

Gold is alternative country at its very best, chocked full of sublime instrumentation and sentimental lyrics.

3. Bruce Springsteen – We Shall Overcome: The Seeger Sessions

The Boss sings Pete Seeger and brilliance results; there is something fantastic about the combination of Springsteen’s voice and Seeger’s lyrics.

4. Yeasayer – All Hours Cymbals

All Hours Cymbals is an album for the decade lyrically, thematically, and instrumentally.

5. Jonsi and Alex – Riceboy Sleeps

Jonsi and Alex’s post-rock/ambient masterpiece is an album to listen to all the way through (8+ times) to really catch it’s flavor.

6. Radiohead – In Rainbows

Radiohead offered this album to the public using a “Pay what you want” system; this album is by far the most cost-effective offering of the last decade.

7. Phoenix – Wolfgang Amadeus Phoenix

Indie pop with depth and from France? Sounds like a winner to me.

8. David Sanford & The Pittsburgh Collective – Live at the Knitting Factory, NYC

A Jazz album of famous classical songs, it is bizarre at first but develops into hands down the best live album I heard over the past 10 years.

9. Seabear – The Ghost that Carried Us Away

Simple melodies and thoughtful lyrics make this an album to listen to again and again and again.

10. DJ Danger Mouse – The Grey Album

The Grey Album brought the Mash-Up genre to forefront and paved the way for many other artists, such as Girl Talk and Super Mash Brothers, to craft what might amount to the music of the decade.

11. Lil Wayne – Tha Carter III

Tha Carter III is a Hip Hop opus. It’s really everything I look for on a rap album.

12. Bjork – Vespertine

Since the breakup of the Sugarcubes, Bjork has morphed her music into a alt-dance-pop genre that is all her own, this album is a true testament to that.

13. Jens Lekman – Night Falls over Kortedala

Soft and low-fi, Jens Lekman’s awkward lyrics, high tenor vocals, and orchestral instrumentation are a beautiful combination on this album.

14. Sigur Ros – Takk….

The name of the album means “Thank You.” Indeed this album is worthy of thanks from all of mankind.

15. Animal Collective – Merriweather Post Pavilion

This is dream-Pop’s finest offering – ever.

16. Amadou & Mariam – Welcome to Mali

Afro-Pop, a product of the 1990s, was thriving this past decade and Amadou & Mariam’s Welcome to Mali is an excellent example of this genre’s potential to reach across cultural boundaries.

17. Gui Boratto – Chromophobia

This Brazilian electro album makes one both dance and contemplate.

18. Sufjan Stevens – Come on Feel the Illinoise

Stevens covers a lot of ground in this album dedicated to the Land of Lincoln.

19. The Hold Steady – Stay Positive

Stay Positive takes elements of grunge, indie, and alternative to craft a sound that is all their own.

20. The Shins – Wincing the Night Away

It’s surf rock with a modern sensibility, for fans of hi-fi rock, there is nothing better.

21. M83 – Saturdays = Youth

Anthony Gonzalez’s slow motion electro album is surprisingly capable as party music, it’s magic.

22. Brian Wilson – Smile

This actually happened.

23. Bon Iver – For Emma, Forever Ago

Low-fi, depressing, but filled with emotion that makes For Emma, Forever Ago a really special album.

24. TV on the Radio – Dear Science

An opus for everyone, you can dance, you can listen, you can feel the rhythm; it’s indie, but there is much more there.

25. Spoon – Ga Ga Ga Ga Ga

Austin’s music scene and SXSW are still a force to be reckoned with.

26. Fleet Foxes – Fleet Foxes

Start to finish one of the most sublime albums of the decade.

27. Yelle – Pop Up

Feminist themed French pop with a universality that resonates from Reykjavik to Rennes.

28. Gregory and the Hawk – Moenie and Kitchi

An organic and pared down album full of emotion.

29. Sin Fang Bous – Clangour

This part folk, part electro, part alt rock, and part ambient album is all Icelandic.

30. Noah and the Whale – The First Days of Spring

The First Days of Spring is a concept album for a new generation.

Honorable Mention:
Beach House – Devotion; Death Cab for Cutie – Transatlanticism; Familjen – Det Snurrar I Min Skalle; Feist – The Reminder; Glen Hansard and Marketa Irglova – Once; Justice – Cross; Karen O and the Kids – Where the Wild Things Are; MGMT – Oracular Spectacular; Okkervil River – The Stand Ins; Ray LaMontagne – Gossip in the Grain; Tokyo Police Club – Elephant Shell; Vampire Weekend – Vampire Weekend; Wolf Parade – At Mount Zoomer

-Doug Ray

Doug Ray is the co-host of Saltimbocca & Escargot, Sundays at 8-10 PM Eastern Time on WRBC.

Now, just 10 days remain in the decade, and as such, another top ten list is in order. This time, I am looking at what I think are the ten best albums of the past year.

1. Jonsi and Alex – Riceboy Sleeps

This is one of the finest ambient albums ever made. This album is both enigmatic and idiocyncratic; it really grows on the listener such that it may be true that each time one listens to it, Riceboy Sleeps feels like a whole new album. Despite being produced by Sigur Ros lead singer Jón Þór Birgisson and his boyfriend Alex Somers, this album has a unique quality to it that fans of post-rock should hope continues in the future with Jonsi’s upcoming solo release, Go, which is due out early in 2010

2. Phoenix – Wolfgang Amadeus Phoenix

It’s light and poppy; it’s deep and lyrical; it’s Wolfgang Amadeus Phoenix. This album is about contradictions and while that might not normally make for a stellar album concept, French rockers Phoenix have really produced a piece on indie-pop gold in this, their fourth full-length studio album.

3. Animal Collective – Merriweather Post Pavilion

Delightfully weird, as one should come to expect from the Animal Collective, Merriweather Post Pavillion is a tour-de-force of the dream-pop scene, which is developing in and around Baltimore of all places.

4. Karen O and the Kids – Where the Wild Things Are

The Soundtrack to Where the Wild Things Are by the Yeah Yeah Yeah’s Karen O and her consortium of friends and band mates is a beautiful tribute to the emotional connection we hold to our inner children, in this sense, it mirrors the film for which it was made.

5. Noah and the Whale – The First Days of Spring

I cannot stop listening to this album (literally); Charlie Fink dug deep into his own emotion to write this album, and to fantastic results. Watch the accompanying film if you have 45 minutes to spare.

6. Fuck Buttons – Tarot Sport

Tarot Sport is not for everyone, but give it a listen. It is minimalist electronica at it’s finest; it remains true to its roots but also has something there for the casual listener, which does not happen often in this genre.

7. The Avett Brothers – I And Love And You

The Avett Brothers beautifully blend bluegrass instrumentation with pop melodies and thoughtful lyrics to create an album that transcends multiple genres and arrives at something close to indie-folk perfection.

8. Grizzly Bear – Veckatimest

Grizzly Bear touches on several genres of the course of the 52 minutes of Veckatimest, expertly crafting an album that is a departure from their earlier work, but still is ultimately a tribute to the music they have been producing since they put out Horn of Plenty in 2004.

9. Phish – Joy

Joy should be considered among the best ever for the reformed Vermont-based jam band. Phish proves through this disc that they are not just for hippies.

10. Au Revoir Simone – Still Night, Still Light

Au Revoir Simone, despite using exclusively electronic instruments like keyboards and drum machines, produce something that feels organic and with glorious three-part harmonies evoke something more reminiscent of the 1960s acoustic folk scene, which is fairly unbelievable.

Honorable Mention

Air – Love 2; Ben Harper and Relentless7 – White Lies for Dark Times; David Guetta – One Love; Dirty Projectors – Bitte Orca; El Perro del Mar – Love is not Pop; The Flaming Lips – Embryonic; fun. – Aim and Ignite; Great Lake Swimmers – Lost Channels; Matt and Kim – Grand; Morrissey – Years of Refusal; Mum – Sing Along to Songs You Don’t Know; Regina Spektor – Far; Royksopp – Junior; The Swell Season – Strict Joy; Yeah Yeah Yeahs – It’s Blitz; Yo La Tengo – Popular Songs

-Doug Ray

Doug Ray is the co-host of Saltimbocca & Escargot, Sundays at 8-10 PM Eastern Time on WRBC.

With just 16 days remaining in 2009, and the music calendar winding down, its time to look back at the year in music as I provide you with my picks for the 10 best songs of the year.

6 HEADLIGHTS Wildlife Polyvinyl
7 WEEZER Raditude Interscope
8 MONSTERS OF FOLK Monsters Of Folk Shangri-La
9 BUILT TO SPILL There Is No Enemy warner
10 TOM WAITS Glitter And Doom Live Anti
11 RAVEONETTES In And Out Of Control Vice
12 BAD LIEUTENANT Never Cry Another Tear Original Signal
13 FLIGHT OF THE CONCHORDS I Told You I Was Freaky SUB POP
14 BOAT Setting The Paces Magic Marker
15 NORAH JONES The Fall Blue Note
16 GIRLS Album True Panther Sounds
17 XX The Xx XL-Young Turks
18 YO LA TENGO Popular Songs Matador
19 THAO WITH THE GET DOWN STAY DOWN Know Better Learn Faster Kill Rock Stars
20 KING KHAN AND BBQ SHOW Invisible Girl In The Red
21 GOV’T MULE By A Thread Evil Teen
22 SIMIAN MOBILE DISCO Temporary Pleasure Wichita
23 KITTY, DAISY AND LEWIS Kitty Daisy And Lewis Downtown
24 SYSTEMS OFFICER Underslept Temporary Residence
25 ETTES Do You Want Power Take Root
26 DEVENDRA BANHART What Will We Be Warner Bros.
27 JULIAN CASABLANCAS Phrazes For The Young RCA
28 JAMES HUSBAND A Parallax I Polyvinyl
29 CRIBS Ignore The Ignorant Warner Bros.
30 A PLACE TO BURY STRANGERS Exploding Head Mute

ADDS
1 THEM CROOKED VULTURES Them Crooked Vultures Interscope
2 JEZABELS  She’s So Hard Self-Released
3 TIN HUEY Before Obscurity: The Bushflow Tapes Smog Veil
4 K-OS Yes! Last Gang
5 ARCTIC MONKEYS Humbug Domino

Noah and the Whale perform “Give a Little Love” at the Swedish American Hall in San Francisco, California – October 22, 2009

-Doug Ray

Doug Ray is the co-host of Saltimbocca & Escargot, Sundays at 8-10 PM Eastern Time on WRBC.

When the name Noah and the Whale first appeared to me, it was from a friend of mine in the United Kingdom who knew of my love for indie folk and thought that this band from southwestern London might make a good addition to my burgeoning iTunes library. The band, whose name is not a mismatch of famous stories from the Old Testament, has yet to receive much major recognition in the United States, despite the fact that their first single, “5 Years Time” reached the UK’s top ten singles. Noah and the Whale’s first album, 2008’s Peaceful, The World Lays Me Down, with dreamy pop-like compositions and traditional acoustic/folk instrumentation was by no means perfect, but showed some potential for this band to rise as potential titans of the indie folk scene.

The band’s newest album, The First Days of Spring, which releases in the United States on October 6, 2009 on Cherrytree Records, is a serious departure from their debut. This album is almost homage to bands such as The Who as it is a fully realized concept album, a disappearing relic of the 1960s and 1970. This album follows a running narrative of the end of a relationship.

The album ties in with a film of the same name produced by the band as well, but this album is far from being a mere soundtrack to the film. This album weaves its own tale that addresses the universal feelings that we all feel as we fall out of love.

The instrumentation is very diverse ranging from orchestral to ambient rock, with a seemingly manic-depressive nature that leads the listener to truly connect with they lyrics of each song and the album as a whole. Noah and the Whale, however, move away from their acoustic roots in favor of electric instruments for the bulk of the album, a choice that, despite my trepidations serves as a powerful foil to both the lyrics and the occasional featured violin or trumpet.

Unlike most break-up themed pop music, The First Days of Spring addresses both the positive and negative emotions of the event. Songs like Love of an Orchestra and Blue Skies serve to contrast the more traditional morose out-of-love ballads such as the title track, The First Days of Spring. The listener is also drawn to those ambiguous and sometimes awkward moments in songs like Stranger, which is about the emotions of this stories protagonist as he fornicates with the first person after the end of his last relationship. The album is well organized and timed for achieving the effects indented by the band, led by brothers Charlie and Doug Fink.

However, I sit here and ask myself why this album should be in consideration as one of the best albums of the year, and the answer lies beyond instrumentation and lyrical mood. This album is about raw emotion, it addresses some of what makes us most human, and it speaks to our simple desires and puts words to the indescribable. In this way it is pure genius, and perhaps this is enough to attract the attention of music fans here in the States.

♥♥♥♥

-Doug Ray

Doug Ray is the co-host of Saltimbocca & Escargot, Sundays at 8-10 PM Eastern Time on WRBC. This article was initially published in The Bates Student